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However, the sickly sweetness of the album could turn away new listeners looking for edgier material.Īfter the masterpiece of Trench in 2018, Scaled and Icy comes across as a regression for the band. Joseph has never been a man to shy away from confessing his undying love for family, so it’s to be expected from a new release. Members of “The Clique”-the band’s fanbase-will love listening to the stories about his 16-month-old daughter, Rosie, and his wife, Jenna. Joseph packs affectionate, lyrical writing into the album’s 11 songs that are earnestly wholesome. “Bounce Man” includes an unexpected flute-like harmony. “You can have the weekends/ We will live between,” Joseph sings. “Mulberry Street” is more of an amble as the duo actually conjures the act of a stroll with twinkling piano playing and leisurely paced percussion. Songs like “Saturday” happily shuffle along while Joseph sings of painting the town on the weekend and swimming in his fishbowl. But despite of this, Scaled and Icy is a very chirpy and easily enjoyable album.
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Numerous times throughout the album, on “Good Day” (which sounds like The 88’s theme to the TV show “Community,” “At Least It Was Here”) and “The Outside,” Tyler Joseph’s wording seems like an attempt to cling to his youth. It’s a shame that this track and others are ruined by some simplistic lyrics like, “Taught myself to play guitar, tearing it up.” This track is guaranteed to excite not only diehards but also fans of rock music in general.Įven “Never Take It,” which feels more like filler on Scaled and Icy, delivers catchy lyrics and a cheeky guitar solo to catch the attention of guitar music purists. The pitch-shifted backing vocals in this song are reminiscent of the Twenty One Pilots’ 2015 hit album, Blurryface.
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Penultimate track “No Chances” provides one of the most experimental and sonically impressive outings the Columbus, Ohio duo has crafted to date.